Parts of a Sitar: Tumba, Frets, Pegs, and Strings

Julian Mercer
11 Min Read

The parts of a sitar are the gourd (tumba), the soundboard (tabli), the neck (dandi), the frets (pardas), the bridges, the strings, and the tuning pegs. The Hindustani sitar is about 4 feet long, with a rounded gourd at the base and a long hollow neck. Like the guitar, it is a plucked string instrument with frets, but its frets are movable and it has two sets of strings.

A violin is bowed, while the sitar is plucked with a wire plectrum. The harmonium and the tabla share the stage with it in Hindustani classical music.

Parts of a Sitar Labeled From the Gourd to the Pegs

Parts of a sitar showing the tumba gourd, dandi neck, movable parda frets, tuning pegs, main strings, sympathetic strings, and jawari bridge
Sitar components shape its distinctive sound in Indian classical music.
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The gourd and the soundboard form the base, and the neck rises from the gourd to the headstock. The frets cross the neck, and the bridges are set on the soundboard.

Part Where you find it
1. Tumba Large dried gourd at the base of the instrument
2. Tabli Flat soundboard of toon or teak on the front of the gourd
3. Neck gourd Smaller second gourd near the top of the neck, on some sitars
4. Gulu Joint where the neck meets the gourd
5. Dandi Long hollow wooden neck
6. Parda Curved metal frets tied across the neck
7. Mool Headstock at the top of the neck
8. Bone nut Bone strip at the top of the fingerboard
9. Kunti Hardwood tuning pegs in the headstock
10. Sympathetic string pegs Small pegs along the side of the neck
11. Main strings Playing strings stretched over the frets
12. Kharaj Thick bass strings among the main strings
13. Chikari Side strings tuned as drone and rhythm strings
14. Tarab Thin sympathetic strings beneath the frets
15. Tuning beads Small beads threaded on the main strings for fine tuning
16. Badaa goraa Large bridge on the tabli for the main strings
17. Chota goraa Small bridge on the tabli for the sympathetic strings
18. Jawari Curved top of the bridge, shaped for the buzzing tone
19. Mizrab Wire plectrum worn on the index finger

Sitar Gourd and Soundboard Parts

Among the parts of a sitar, the gourd and the soundboard are the resonating pair. They amplify the vibration of the strings.

Tumba

The tumba is a large dried gourd that forms the body of the sitar. It is round and hollow, and the neck joins it at the top. The tumba is the resonator of the instrument.

Tabli

The tabli is the flat soundboard on the front of the tumba. It is cut from toon or teak, and the bridges are set on it.

Neck Gourd

The neck gourd is a second, smaller gourd mounted near the top of the neck. Not every sitar has it, and it is fitted on instruments built in the Ravi Shankar style.

Sitar Neck and Fret Parts

The neck is the longest of the parts of a sitar. It extends from the joint at the gourd to the headstock.

Dandi

The dandi is the long hollow neck. It is made of toon or teak, and the surface that holds the frets is slightly concave. The strings extend along it from the bridges to the pegs.

Gulu

The gulu is the joint where the dandi meets the tumba.

Pardas

The pardas are the frets, curved bars of brass or bronze tied across the dandi with cord. They are movable, so the player slides them along the neck to match the notes of a raga. Models have between 16 and 22 frets.

Sitar Headstock and Tuning Peg Parts

The headstock is the top of the dandi. It bears the pegs for the main strings and the bone nut that the strings pass over.

Mool

The mool is the headstock, the curved end block at the top of the dandi. The tuning pegs are mounted in it.

Bone Nut

The bone nut is a thin strip of bone at the top of the fingerboard. The main strings pass over it before they reach the pegs.

Kunti

The kunti are the large hardwood pegs in the mool. Each main string and each chikari winds onto one kunti. Turning a peg tightens or loosens the string wound on it.

Sympathetic String Pegs

The sympathetic string pegs are smaller pegs set along the side of the dandi. They tune the tarab, one peg for each sympathetic string.

Sitar String and Plectrum Parts

The strings are the most numerous of the parts of a sitar, with 18 to 21 in two sets. The main strings are played, and the sympathetic strings vibrate in response.

Main Strings

The main strings number six or seven. They are stretched over the frets and are plucked with the mizrab. The thickest of them are the kharaj.

Kharaj

The kharaj are the thick bass strings among the main strings. They sound the low notes of the sitar.

Chikari

The chikari are the thin side strings, tuned as drone and rhythm strings. They mark the beat between the notes of the main strings.

Tarab

The tarab are the sympathetic strings, 11 to 13 thin strings stretched under the frets. They are never plucked, and they vibrate in sympathy with the main strings.

Mizrab

The mizrab is a wire plectrum worn on the index finger of the right hand. It plucks the main strings.

Sitar Bridge Parts and the Jawari

The two bridges are set on the tabli. The badaa goraa is the larger, and the chota goraa is the smaller. Both are parts of a sitar that shape the tone as well as support the strings.

Badaa Goraa

The badaa goraa is the large bridge that supports the main strings. It is cut from bone, horn, or ebony, and the top is curved.

Chota Goraa

The chota goraa is the small bridge that supports the sympathetic strings.

Jawari

The jawari is the curved top of the badaa goraa. It is shaped so the strings graze the surface, which produces the buzzing overtone that identifies the sitar.

Sitar Parts and Their Materials

The materials of the parts of a sitar come from wood, gourd, bone, and metal. The tabli and the dandi are toon or teak, and the tumba is a dried gourd. The frets are brass or bronze, and the bridge is bone, horn, or a composite. The pegs are hardwood.

Sitar Styles and Their Added Parts

Sitars built in the Ravi Shankar style have a second gourd at the top of the neck. Sitars built in the Vilayat Khan style have a single gourd. The two styles share the same core parts of a sitar.

Sitar Parts Names in English and Hindi

Sitar parts names vary by teacher and by spelling. Each part has a standard English form, and the alternates are the spellings and regional names a student meets in books and lessons.

Part English gloss Alternate names
Tumba Gourd resonator Toomba
Tabli Soundboard Faceplate
Dandi Neck None
Parda Fret Pardey, pardas
Kunti Tuning peg Khunti, kilis
Tarab Sympathetic string Taraf, tarb, tarafdaar
Mizrab Plectrum Mizraab
Chikari Side string Chickaree
Mool Headstock None
Gulu Neck joint None

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FAQs

FAQs

What are the parts of a sitar?

The parts of a sitar are the tumba, the tabli, the dandi, the pardas, the mool, the pegs, the strings, the two bridges, and the mizrab. The tumba and the tabli form the body, and the dandi bears the frets.

What is a sitar made of?

The parts of a sitar are made of toon or teak wood, a dried gourd, brass or bronze frets, a bone or horn bridge, and hardwood pegs. The tumba is the gourd, and the tabli and the dandi are wood.

Does a sitar have frets?

Yes, the parts of a sitar include movable frets called pardas. They are curved bars of brass or bronze tied across the neck with cord, and the player slides them to suit the raga.

How many strings does a sitar have?

A sitar has 18 to 21 strings in total. Six or seven are main strings, and the rest are sympathetic strings that vibrate in response.

What are the sympathetic strings on a sitar?

The sympathetic strings, called tarab, are thin strings stretched under the frets. They are never plucked. They vibrate when the main strings sound, and they add the shimmer of the sitar.

What is the jawari on a sitar?

The jawari is the curved top of the main bridge, one of the shaped parts of a sitar. Its shape lets the strings graze the surface and produces the buzzing overtone of the sitar.

What is the difference between the tumba and the tabli?

The tumba is the dried gourd that forms the body of the sitar. The tabli is the flat soundboard of toon or teak on the front of the gourd, and the bridges are set on it.

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I'm Julian Mercer, founder of Englishan.com and an English educator with more than a decade of teaching experience. I hold a master's in Applied Linguistics, with expertise across grammar and vocabulary and a specialization in visual vocabulary. I'm particularly fascinated by the relationship between imagery, language, and word recall.